Flume album art skin#

“Amanda’s vocal has some kind of otherworldly quality to it which I love.” True, Flume. “This was one of the first songs I wrote for the record,” Flume writes. The song is intense, especially with MNDR’s screaming, desperado vocals. The chord changes are not altogether complex, but the young master is able to vary up the textures, percussion, and instrumentation enough that you’re never bored. It’s another signature, singularly Flume track. “Like Water,” the second to last track on Skin, seems to brood. This time it was different, I had Vince’s vocal first, and wrote the music around it.” That’s not a very orthodox method, but, listening to this track, you’d never guess that’s how it came about. Flume explains the process: “Usually, I start the beat first, and then the rapper gets involved. The album’s other big single, “ Smoke & Retribution,” which features Vince Staples, is another hit. On Skin, though, all rapper features are smooth and natural. At times, to be frank, it just feels awkward. Either T.Shirt or a younger Harvey was unable to make it work the song is quality, but at times you can see the seams. Album art for Flumes 'Skin' (2016) Zawada muses that electronic artists gravitate towards him because they both share technology as a tool to be grappled with. The song, “ On Top,” turned out to be arguably the weakest on the collection. On Flume, his first album, there was just one rapper: T.Shirt. Having Starry Eyes is a Deadly Combination 9. Given his success, it makes sense that he was able to cull vocalists and rappers as he wished: this album features Beck, Little Dragon, Vince Staples, Kai, Tove Lo, and AlunaGeorge - among others.Īll that said, here are the hits - though, on an album so versatile and yet cohesive, it’s hard to pick out just a few. Flume by Jaymee Franchina & Jeremy Smith, released 10 February 2013 1. And this is just what Flume was able to do with Skin. You don’t just want to make the same delicious lasagna, you want to add some spices and side dishes. When your first album is a chart-topper, the overwhelming goal with your second is to keep your first album’s audience happy while you impress them further - and also as you draw in an even bigger audience. He struck a previously unheard chord, one that combined elements of EDM and bonafide instrumental hip-hop accordingly, he attracted a variety of ears. Deservedly, he became his label Future Classic’s poster boy, and drew Australian electronic music out of obscurity.

His first, self-titled album - which he released when he was just 21 years old - was nearly flawless. Harvey Edward Streten confirms that he is here to stay.

With Skin, the 24-year-old Australian producer managed to repurpose and surpass the catchiest elements of his first album. He completed the second-album challenge: to produce a work that doesn’t just reproduce the best features of his debut, but transcends it. The installation runs through Sunday 14 August 2016 at Urban Outfitters’ concept space Space15Twenty in Hollywood.Flume just released his second studio album, Skin, and, with it, achieves a feat that most artists cannot. Zawada’s brightly colored artwork has been printed onto tactile fabric, and there are also new video works on view. Offering another way to experience this audiovisual collaboration is a pop-up installation coinciding with Flume’s shows in Los Angeles this weekend (he’s performing four nights in a row at Shrine Auditorium kicking things off yesterday with SOPHIE).

Flume’s elastic beats and bass are surprisingly as tender as they are grandiose, creating a niche for the music producer in the EDM world, and the artwork complements them successfully.

Flume album art skin#

The tracks and cover of 24-year-old’s recent album Skin (featuring guest spots from Beck, Tove Lo, Little Dragon, AlunaGeorge, Vince Staples and more) are visually represented by Zawada’s CGI-like flora. Alias of Grammy-winning electronic musician/producer Harley Streten, who first topped Australia's album chart with his 2012 eponymous debut. One of the greatest examples of this collaboration is Zawada’s work with fellow Aussie, Flume (notable tracks include “Drop the Game” with Chet Faker, and his remixes of Disclosure and Lorde). The album, recorded at Air Lyndhurst and Real World Studios during 2009, consists of cover versions of twelve songs by various artists, using only orchestra and voice. (Fun fact: Zawada used to be the creative director at Sydney-based label Modular Recordings.) While conceiving an imagined new universe ruled by each musician, Zawada seamlessly weaves the digital and analog to develop visuals that really synergize the music-rather than feel like his own work, simply tacked on. Scratch My Back is the eighth studio album (and fifteenth album overall) by English musician Peter Gabriel, his first in eight years.It was released in February 2010. The Perth, Australia-raised (now LA-based) multimedia artist has been regularly commissioned to create album covers for largely electronic music acts like Classixx, Rustie, Baauer and The Presets. The artwork of Jonathan Zawada lives on your computer hard drive and-if you still buy CDs-on your bookshelf, too.